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Dover Liszt Franz - Masterpieces For Solo Piano
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This compilation of piano works by the supreme piano virtuoso of the 19th century includes such masterworks as Sonetto 104 di Petrarca, Hungarian Rhapsody No. 2 in C-sharp minor, Un Sospiro (Concert Etude No. 3 in D-flat major), Funérailles (from Années de pélerinage), Consolation No. 3 in D-Flat major, Liebestraum No. 3 in A-flat major, more.Content :Hungarian Rhapsody No. 2 in C-sharp MinorNo. 2 from [19] Hungarian Rhapsodies • R106 / S244Un SospiroA Sigh: Concert Étude No. 3 in D-flat Major from Trois Études de Concert • R 5 / S144Funérailles, Octobre 1849Burials, October 1849: No. 7 from Harmonies Poétiques at Religieuses. Written to commemorate the executions of the Hungarian Prime Minister Lajos Batthyány and thirteen Hungarian generals on 6 Octover 1849, at the end of the Hungarian War of Independence • R14 / S173Consolation No. 3 in D-flat MajorFrom [6] Consolations. Title from Les Consolations by poet-novelist Charles-Augustin Sainte-Beuve • R12 / S172Liebestraum No. 3 in A-flat MojorDream of Love: Transcription of the song O lieb, so lang du lieben kannst, peom by Ferdinand Freiligrath, from Liebesträume, 3 Notturnos • R211 / S141La CampanellaThe Little Bell: Originally composed in 1832 around the rondo theme of Paganini´s Violin Concerto No. 2 in B minor; published as Grande Fantaisie de Bravoure sur La Clochette de Paganini. Revised in 1838 as La Campanella (in A-flat minor), and published as No. 3 of six Études d´ Exécution Transcendante d´après Paganini. Entire set revised in 1851 and published as Grandes Études de Paganini - the form in which this music is known today. La Campanella appears here in its final form, in G-sharp minor. • R3b / S141.Sonetto 104 del PetrarcaPetrarch´s Sonnet 104: Originally the song Pace non trovo, one of Liszt´s three Petrarch settings for tenor and piano, published as Tre Sonetti di Petrarca. Transcribed for piano solo under the same title and published in 1846. The set, revised sometimes before 1858, was integrated into Années de Pèlerinage / Deuxième Année: Italie. The present version is No. 5 of that suite. • R10b / S161Mephisto Waltz No. 1Composed both for solo piano and for orchestra as The Dance in the Village Inn, the second of Two Episodes from Lenau´s Faust (the other is The Ride by Night). The work draws its imagery from Nicholas Lenau´s dramatic poem containing episodes omitted from Goethe´s version of the Faust legend. Liszt´s piano transcription, universally known as the Mephisto Waltz, was dedicated to Carl Tausig, the most famous of the first generation of Liszt´s pupils. • R181 / S514WaldersrauschenGnomenreigenTwo Concert Études: Forest Murmurs / Dance of the Gnomes • R6 / S145Rákóczy March (Hungarian Rhapsody No. 15 in A Minor)Liszt´s famous arrangement of Hungary´s national call to arms, associated with Prince Ferenc Rákóczy II, who was the first leader of the fight for Hungarian independence against the Habsburgs. This is the second of three versions, based on themes from Liszt´s sets of Hungarian national melodies (Magyar Dallok) and rhapsodies (Magyar Rhapsodiák), and from his symphonic arrangement for the march. • R106 / S244Nuages GrisGray Clouds: This work has been described as ´a gateway to modern music´, acquiring in recent years the status of an icon among Liszt aficianados. With its advanced harmonies, and its unresolved ending that drifts away into keylessness, the piece fortells the coming of impressionism in music. The Gray Clouds were evidently autobiographical in origin. In early August 1881, Liszt suffered a fall down the stairs of the Hofgärtnerei, his occasional home in Weimar. His injuries were severe enough to keep him in bed for the next several weeks. The music depicts a world of quiet desolation. The manuscript bears the date 24 August 1881. • R78 /Valse Oubliée No. 1Forgotten Waltz No. 1: the first of Quatre Valses Oubliées. • R37 / S215

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Dover Chopin F. - Nocturnes And Polonaises - Pi...
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The 20 nocturnes reproduced here include Opp. 9, 15, 27, 32, 37, 48, 55, 62, 72, and the posthumous Nocturne in C-sharp Minor. The 11 polonaises include Opp. 26, 40, 44, 53, 61,71, and the posthumous Polonaise in G-sharp Minor. Reprinted from an authoritative early edition. MikuliContenu :Nocturne in B-flat Minor, Op. 9, No. 1Nocturne in E-flat Major, Op. 9, No. 2Nocturne in B Major, Op. 9, No. 3Nocturne in F Major, Op. 15, No. 1Nocturne in F-sharp Major, Op. 15, No. 2Nocturne in G minor, Op. 15, No. 3Nocturne in C-sharp Minor, Op. 27, No. 1Nocturne in D-flat Major, Op. 27, No. 2Nocturne in B Major, Op. 32, No. 1Nocturne in A-flat Major, Op. 32, No. 2Nocturne in G Minor, Op. 37, No. 1Nocturne in G Major, Op.37, No. 2Nocturne in C Minor, Op. 48, No. 1Nocturne in F-sharp Minor, Op. 48, No.2Nocturne in F Minor, Op. 55, No. 1Nocturne in E-flat Major, Op. 55, No. 2Nocturne in B Major, Op. 62, No. 1Nocturne in E Major, Op. 62, No. 2Nocturne in E Minor, Op. 72, No. 1Nocturne in C-sharp Minor, Op. posthumousThe Eleven PolonaisesPolonaise in C-sharp Minor, Op. 26, No. 1Polonaise in E-flat Minor, Op. 26, No. 2Polonaise in A Major, Op. 40, No. 1 (Militaire)Polonaise in C Minor, Op. 40, No. 2Polonaise in F-sharp Minor, Op. 44Polonaise in A-flat Major, Op. 53 (Heroic)Polonaise-Fantaisie in A-flat Major, Op. 61Polonaise in D Minor, Op. 71, No. 1Polonaise in B-flat Major, Op. 71, No. 2Polonaise in F Minor, Op 71, No. 3Polonaise in G-sharp Minor, Op. posthumous

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