Angebote zu "Naples" (10 Treffer)

Trio Dimmbare LED-Pendelleuchte Naples in Kupfe...
316,90 € *
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LED-Pendelleuchte - Metallischer Chic im Retrodesign. Möbel und Lampen im Retrostil erleben zurzeit ihre Renaissance. Die LED-Pendelleuchte aus Metall nimmt genau diesen Stil auf und verkörpert ihn glänzend. Komplett aus Metall gefertigt wird das Licht nach unten gelenkt und bietet sich als Esstisch- oder Tresenbeleuchtung geradezu an. Solo oder im Ensemble, die Hängelampe setzt sich auf jeden Fall in Szene. Herzstück des Ganzen ist der Metallschirm in Schwarz, Nickel matt oder Kupfer erhältlich. Innen ist dieser mit einer Folie beschichtet, die sich “Crash-Spiegel” nennt und für besondere Lichtreflexion steht. Die Schwarze Leuchte zeigt sich mit einem goldenen Innenleben, die Nickel matte Variante silberfarbig, ebenso die Kupfer matte Ausführung. Bestückt sind die Leuchten mit neuester LED-Lichttechnik mit 3 x 4,5 Watt gesamt 1290 Lumen und warmweißer Lichtfarbe 3000 Kelvin. Zudem ist das Leuchtmittel dimmbar. Auf einen Blick: Modernes Retrodesign 3 Schirmfarben wählbar, Schwarz/Gold, Nickel matt/Silber oder Kupfer matt/Silber LED-Leuchtmittel Energieklasse A+, sparsam und langlebig Dimmbar über die Hausinstallation

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Stand: 27.04.2017
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Trio Dimmbare LED-Pendelleuchte Naples in Nicke...
316,90 € *
ggf. zzgl. Versand

LED-Pendelleuchte - Metallischer Chic im Retrodesign. Möbel und Lampen im Retrostil erleben zurzeit ihre Renaissance. Die LED-Pendelleuchte aus Metall nimmt genau diesen Stil auf und verkörpert ihn glänzend. Komplett aus Metall gefertigt wird das Licht nach unten gelenkt und bietet sich als Esstisch- oder Tresenbeleuchtung geradezu an. Solo oder im Ensemble, die Hängelampe setzt sich auf jeden Fall in Szene. Herzstück des Ganzen ist der Metallschirm in Schwarz, Nickel matt oder Kupfer erhältlich. Innen ist dieser mit einer Folie beschichtet, die sich “Crash-Spiegel” nennt und für besondere Lichtreflexion steht. Die Schwarze Leuchte zeigt sich mit einem goldenen Innenleben, die Nickel matte Variante silberfarbig, ebenso die Kupfer matte Ausführung. Bestückt sind die Leuchten mit neuester LED-Lichttechnik mit 3 x 4,5 Watt gesamt 1290 Lumen und warmweißer Lichtfarbe 3000 Kelvin. Zudem ist das Leuchtmittel dimmbar. Auf einen Blick: Modernes Retrodesign 3 Schirmfarben wählbar, Schwarz/Gold, Nickel matt/Silber oder Kupfer matt/Silber LED-Leuchtmittel Energieklasse A+, sparsam und langlebig Dimmbar über die Hausinstallation

Anbieter: Lampen & Leuchten...
Stand: 27.04.2017
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Trio Dimmbare LED-Pendelleuchte Naples in Schwa...
284,90 € *
ggf. zzgl. Versand

LED-Pendelleuchte - Metallischer Chic im Retrodesign. Möbel und Lampen im Retrostil erleben zurzeit ihre Renaissance. Die LED-Pendelleuchte aus Metall nimmt genau diesen Stil auf und verkörpert ihn glänzend. Komplett aus Metall gefertigt wird das Licht nach unten gelenkt und bietet sich als Esstisch- oder Tresenbeleuchtung geradezu an. Solo oder im Ensemble, die Hängelampe setzt sich auf jeden Fall in Szene. Herzstück des Ganzen ist der Metallschirm in Schwarz, Nickel matt oder Kupfer erhältlich. Innen ist dieser mit einer Folie beschichtet, die sich “Crash-Spiegel” nennt und für besondere Lichtreflexion steht. Die Schwarze Leuchte zeigt sich mit einem goldenen Innenleben, die Nickel matte Variante silberfarbig, ebenso die Kupfer matte Ausführung. Bestückt sind die Leuchten mit neuester LED-Lichttechnik mit 3 x 4,5 Watt gesamt 1290 Lumen und warmweißer Lichtfarbe 3000 Kelvin. Zudem ist das Leuchtmittel dimmbar. Auf einen Blick: Modernes Retrodesign 3 Schirmfarben wählbar, Schwarz/Gold, Nickel matt/Silber oder Kupfer matt/Silber LED-Leuchtmittel Energieklasse A+, sparsam und langlebig Dimmbar über die Hausinstallation

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Stand: 27.04.2017
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Yorktown The Joy Of Italian Melodies - Piano Solo
13,70 €
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12,30 € *
zzgl. 2,49 € Versand

DescriptionBest loved songs, arias and folk tunes in easy piano arrangements as part of this continuing series of handsome editions encompassing a wide variety of styles from the classics to jazz. SonglistAddio Del Passato (La Traviatta) [Verdi, Giuseppe]Ah Fors´ E Lui (La Traviata) [Verdi, Giuseppe]Brindisi (Drinking Song) From ´Cavalleria Rusticana´ (Mascagni)Carme (De Curtis)Caro Nome (Rigoletto) [Verdi, Giuseppe]Celeste Aida (Aida) [Verdi, Giuseppe]Ciribiribin (Pestalozza)Doretta´s Dream From ´La Rondine´ (Puccini)E Lucevan Le Stelle (Tosca) [Puccini, Giacomo]Funiculi, Funicula! [Denza, Luigi]Goodbye To Naples (L´addio A Napoli) (Cottrau)Il Bacio (Arditi)I´te Vurria Vasa (Ah, Che Bel L´aria Fresca) (Di Capua)La Danza (Tarantella) [Rossini, Gioachino]La Donna E Mobile (Rigoletto) [Verdi, Giuseppe]Mal Reggendo All´ Aspro From ´Il Travatore´ (Verdi)Marie, Ah Marie (Di Capua)Mattinata [Leoncavallo, Ruggiero]Musetta´s Waltz (La Boheme) [Puccini, Giacomo]My Carmela (Carmela Mia) (Cannio)Parla (Di Capua)Piacer D´amor [Martini, Giovanni]Quartet (Rigoletto) [Verdi, Giuseppe]Questa O Quella (Rigoletto) [Verdi, Giuseppe]Santa Lucia (Folk Song)Sempre Libera From ´La Traviata´ (Verdi)Serenade Of The Roses (Di Capua)Serenata (Rimpianto) (Toselli)Serenata Napolitana (Costa)Sextet From ´Lucia Di Lammermor´ (Donizetti)Tiritomba (Folk Song)Torna A Surriento (Come Back To Sorrento) [Curtis, Ernesto De]Un Di Soletto (Peri)Una Furtiva Lagrima (L´elisir D´ Amore) [Donizetti, Gaetano]Vesti La Giubba (Pagliacci) [Leoncavallo, Ruggero]Vieni Sul Mar (Tradiitonal)Vissi D´arte, Vissi D´amore (Tosca) [Puccini, Giacomo]

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Stand: 06.09.2017
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Ut Orpheus Baiano E. - Method For The Harpsichord
48,40 €
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44,20 € *
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A practical guide for Pianists, Organists and HarpsichordistsEnrico Baiano is considered one of the most interesting artists on early music scene.He was born in Naples in 1960 and subsequently graduated in piano and composition at Naples’ Conservatorio ‘San Pietro a Majella’ before specialising in harpsichord, clavichord and fortepiano with Emilia Fadini at Milan’s Conservatorio ‘Giuseppe Verdi’.Enrico Baiano has performed at the most renowned early music festivals. He is one of the co-founders of the Italian ensemble Cappella della Pietà dei Turchini, with whom he has played and recorded from 1986 to 2000. He often plays with the Neapolitan contemporary music ensemble Dissonanzen and with Piccolo Concerto Wien. His solo recordings for Symphonia have won him several international prizes such as Deutsche Schallplattenpreis, Diapason d’Or, Choc de la Musique and Platte des Monats. He took part in the documentary film on Domenico Scarlatti Un gioco ardito, directed by Francesco Leprino.He is professor of harpsichord, clavichord and fortepiano at the Conservatorio «Domenico Cimarosa» in Avellino.

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Ut Orpheus Baiano E. - Methode Pour Clavecin
51,65 €
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48,95 € *
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Méthode pour Clavecin. Guide pratique pour Pianistes, Organistes et Clavecinistes Langue françaiseEnrico Baiano is considered one of the most interesting artists on early music scene. He was born in Naples in 1960 and subsequently graduated in piano and composition at Naples’ Conservatorio ‘San Pietro a Majella’ before specialising in harpsichord, clavichord and fortepiano with Emilia Fadini at Milan’s Conservatorio ‘Giuseppe Verdi’. Enrico Baiano has performed at the most renowned early music festivals. He is one of the co-founders of the Italian ensemble Cappella della Pietà dei Turchini, with whom he has played and recorded from 1986 to 2000. He often plays with the Neapolitan contemporary music ensemble Dissonanzen and with Piccolo Concerto Wien. His solo recordings for Symphonia have won him several international prizes such as Deutsche Schallplattenpreis, Diapason d’Or, Choc de la Musique and Platte des Monats. He took part in the documentary film on Domenico Scarlatti Un gioco ardito, directed by Francesco Leprino. He is professor of harpsichord, clavichord and fortepiano at the Conservatorio «Domenico Cimarosa» in Avellino.

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Stand: 06.09.2017
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Ut Orpheus Baiano E. - Metodo Para Clave
48,40 €
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45,95 € *
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Método para Clave. Guía práctica para Pianistas, Organistas y Clavecinistas.Langue espagnoleEnrico Baiano is considered one of the most interesting artists on early music scene. He was born in Naples in 1960 and subsequently graduated in piano and composition at Naples’ Conservatorio ‘San Pietro a Majella’ before specialising in harpsichord, clavichord and fortepiano with Emilia Fadini at Milan’s Conservatorio ‘Giuseppe Verdi’. Enrico Baiano has performed at the most renowned early music festivals. He is one of the co-founders of the Italian ensemble Cappella della Pietà dei Turchini, with whom he has played and recorded from 1986 to 2000. He often plays with the Neapolitan contemporary music ensemble Dissonanzen and with Piccolo Concerto Wien. His solo recordings for Symphonia have won him several international prizes such as Deutsche Schallplattenpreis, Diapason d’Or, Choc de la Musique and Platte des Monats. He took part in the documentary film on Domenico Scarlatti Un gioco ardito, directed by Francesco Leprino. He is professor of harpsichord, clavichord and fortepiano at the Conservatorio «Domenico Cimarosa» in Avellino.

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Stand: 06.09.2017
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Recital Music Monti V. - Czardas - Double Bass ...
11,50 €
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10,93 € *
zzgl. 2,49 € Versand

Arranger : David HeyesThe Transcriptions Series seriesRecital Music publish a wealth of original works for double bass alongside a popular, accessible and growing range of transcriptions for bassists of all ages and abilities. Most transcriptions published by Recital Music are by David Heyes, who has a successful and proven track record when arranging for double bass.Czardas for violin and piano is Monti´s only famous work, believed to have been composed in the early years of the 20th-century, and has been composed for almost every instrument, every instrumental combination, and performed by every gipsy orchestra or ensemble.The slow rhapsodic introduction quickly leads into the main theme which is full of rhythmic fire and gipsy passion. A slow section, primarily in double stops, is then repeated in high harmonics before a brief return of the fast viruosic music which leads into a reprise of the Czardas material, but now in the tonic major. A fast and energetic finale brings the piece to a rousing and successful conclusion.This exciting new arrangement by David Heyes offers musical and technical challenges in equal measure and the edition includes accompaniments for both solo and orchestral tunings. An arrangement for double bass quartet is in preparation.Italian composer, conductor and violinist, Vittorio Monti was born in Naples on 6 January 1868 and died on 20 June 1922. He studied at the Conservatorio di San Pietro a Majella with F. Pinto (violin) and Paolo Serrao (composition) and moved to Paris in 1886 where he studied violin with Camillo Sivori, Paganini´s most famous pupil.For many years Monti was a member of the Lamoureux Orchestra in Paris, also conducting the orchestra on occasions, and composed ballets, operettas and instrumental music during his years in the French capital.

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Stand: 06.09.2017
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Les Editions Buissonnieres Fiorenza - Concerto ...
19,00 €
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15,20 € *
zzgl. 2,49 € Versand

Compositeur italien, violoncelliste à la cour napolitaine, premier violon du Royal Court Orchestra, professeur de violon et d´alto, Nicolò Fiorenza fait partie des compositeurs qui développèrent l´école napolitaine, aux côtés de Johann Adolf HASSE ou Nicola PORPORA. Naples était en effet un foyer musical parmi les plus importants en Europe, comptant plusieurs théâtres, académies, et 4 conservatoires, foyer qui donnera jour à nombre de grands compositeurs et musiciens. Tombé injustement dans l´oubli après sa mort, Nicolò Fiorenza a pourtant laissé quelques OEuvres magnifiques, empreintes d´une forte personnalité musicale : une trentaine de compositions, parmi lesquelles des sonates pour violons, des sonates en trio, des sinfonie, et quelques concerti solo. L´écriture de Nicolò Fiorenza offre de grands moments de lyrisme, des mouvements aux rythmes fortement contrastés. Ce concerto pour violoncelle séduira les cellistes à la recherche d´OEuvres peu connues : l´écriture y est légère et brillante parfois, sensible et plaintive dans un extraordinaire largo...Format 22,5 x 32 cm, imprimé sur papier ivoire 100 gConducteur 54+40 pages (2 tomes)Partie séparée basse 56 pagesPartie séparée violon 60 pages

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Stand: 06.09.2017
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Green Man Press Sscarlatti A. - E Perche Non Se...
19,50 €
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18,53 € *
zzgl. 2,49 € Versand

Alessandro Scarlatti’s influence was immense both through his pupils (such as Hasse and Geminiani) and his son, Domenico Scarlatti (born in 1685 and later also his pupil). Alessandro (1660-1725) is of the generation that precedes Bach and Handel (who were both born in the same year as his son Domenico). His musical career was focused in Rome and Naples. He is regarded as the Father of Neapolitan opera since he was the key figure in the development of the operatic elements in particular the arias, recitatives and in the use of the orchestra. He composed 115 operas and many other works – including oratorios, Masses, madrigals, concerti grossi and chamber cantatas (of which he wrote about 600). For countertenor/alto (g-d´´), 2 violins, 2 flutes/recorders and bc The present cantata comes from the collection of the Abbato Santini (1778-1861) which is in the care of the Diözesanbibliothek Münster. This cantata , very confidently ascribed at the head of the first folio as ´´Del Signe Alesso Scarlatti”, and titled ´´Cantata /con Violini, e Flauti”, is the first in the manuscript MÜs HS 3975. It is followed by the cantatas Mentre Clori la bella and Augellin, vago e canoro, well accepted as by Alessandro Scarlatti, both of which are available in the Green Man Press edition.It is curious therefore that this cantata, E perche non seguite o Pastorelle, is not listed in Grove among the cantatas of Alessandro Scarlatti, nor as a work of doubtful attribution, and the work is listed neither in Hanley nor in Rostirolla .This attractive cantata for a countertenor or alto (the ‘persona’ is a love-lorn man), follows the usual pattern of alternating recitative and aria, but is introduced with a generous sinfonia in three sections, slow-fast-slow. The final aria has as a ritornello a graceful instrumental minuet. The scoring for two violins and two flauti is unusual: only a few of the cantatas by Scarlatti have this many obbligato instruments, and none have this combination. This instrumentation provides plenty of rich and lively material. While it is usual to be able to take flauti to mean recorders, the second flauto part has one bar in the sinfonia, and four in the first aria, which are too low for the treble recorder. However the second aria’s flauto solo part is typical writing for the treble recorder. Perhaps the second instrument could be a tenor recorder.

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